Paseo en la expansion de las tinieblas
Mixta collage cartulina
13 x 11 inch

Exhibición: La Caridad Nos Une

La obra de Cárdenas se define por una idea singular expresada a través de un cuerpo de obra que constituye una trayectoria estética.

Una relación romántica entre naturaleza y arquitectura da paso a una visión estilizada de paisajes íntimos… una representación simbólica de la intersección entre lo natural y el poder de la inteligencia humana para fabricar, crear.

En su conjunto, su obra refleja una coherencia de lenguaje y la expresión auténtica de una visión, una visión a la vez curiosa y traviesa, que en ocasiones puede incluso transformarse en una experiencia bucólica.


Carlos Rodríguez Cárdenas was born in 1962 in Sancti Spiritus, Villa Clara, and completed his arts studies in 1983 at Havana’s Instituto Superior de Arte(ISA).

He formed part of the René Portocarrero workshop, where he began to make a name for himself in serigraphy, drawing and painting. He became a key figure in the resurgence of criticism and of the arts movement at the time. His participation played a decisive role in the birth of the provisional group. From among the imagery created in the late 1980s, which questioned and made ironic the “revolutionary” state slogans, some of Rodríguez Cárdenas’s proposals became iconic representations of his generation such as his self-portrait featuring him bare-chested, the skin painted like a brick wall, on which the words ”I am my home” are written; from his neck hangs a skeleton with a comic blurb that reads “I do not exist, only my intention”.

In Rodríguez Cárdenas’s work, parody, humor and caricature tend away from coarseness, although they may confront the audience with what is vulgar in a society in crisis. His work invites the spectator to question reality, to see beyond the world of the official word imposed by a system that had become senseless. More than anyone,[1] he suffered censorship. In his case, it was not a conjured-up badge of honor that he pinned on himself to face banishment from his country.

From the time after he went into exile in Mexico in the early 1990s until he finally settled in New York, he focused his art, without renouncing his previous commitments, on the artistic quality of his subjects, of this designs. His art imparted his compositions with even more of their own particular, distinctive character than before.

During the next few years, Rodríguez Cárdenas held solo exhibits at Obra Reciente, Galeria Nina Menocal, Mexico; D.F., Carlos Cardenas, Galeria Ramis F. Barquet in Monterrey, Mexico; About the Blue Wall, Fredric Snitzer Gallery, Coral GablesFlorida; ARCO 93 International Art Fair, MadridSpain; and Pinturas, Fredric Snitzer Gallery, Coral Gables.

Today his works are included in such major collections as the Whitney Museum of American Art in New York; the Museum of Fine Arts in Boston; the Museum of Art in Fort Lauderdale, Florida; Kendall Art Center / The Rodriguez Collection; the Museum Ludwig in CologneGermany; the Villa Clara Provincial Museum in Villa Clara; and Museo Nacional de Bellas Artes de La Habana in Havana.